Matthew Passion with the Orchestre National de Lyon and Marguerite in La Damnation de Faust with the Wiener Symphoniker. This past season, Aldrich debuted in the title role of La Belle Hélène at the Staatsoper Hamburg. She will also sing concerts in Puerto Rico and Salzburg. Aldrich begins the 2019/20 season with her role and house debut as the Foreign Princess in Rusalka at the Theater an der Wien in, after which she will sing her first Princess Eboli in Don Carlos for her debut at the Opéra Royal de Wallonie in Liège. Commanding a wide repertoire which also includes the title role in La Cenerentola, Adalgisa in Norma, Charlotte in Werther and Octavian in Der Rosenkavalier, Aldrich has performed in other leading theaters throughout the world, including the Gran Teatre de Liceu in Barcelona, Teatro Colon de Buenos Aires, Staatsoper Hamburg, Teatro Comunale di Bologna, Teatro Regio di Torino, Washington National Opera, Los Angeles Opera, Theatre du Capitole de Toulouse, Opera de Marseille, Opera de Montpellier, Opera de Montreal, and Teatro Sao Carlos in Lisbon, as well as at the Salzburg Festival and Rossini Festival in Pesaro. Hailed by the San Francisco Sentinel as “the Carmen of this Generation” after her debut with the San Francisco Opera, Kate Aldrich has performed the title role in Bizet’s opera to much critical acclaim in such theaters as the Bayerische Staatsoper in Munich, Deutsche Oper Berlin, Metropolitan Opera, Opernhaus Zürich and Arena di Verona. Scenery courtesy of Lyric Opera of Kansas City *Join us one hour prior to each performance at the Ellie Caulkins Opera House of a free and insightful pre-performance discussion led by opera historian Betsy Schwarm. Want to peek behind the scenes with our cast or become a Carmen expert? Check out all our Carmen content on the Opera Colorado Blog>Įstimated Length: 3 hours, and 15 minutes, including 2 twenty minute intermissions Performed in French, with English and Spanish subtitles at every seat The Ellie Caulkins Opera House at Denver Performing Arts Complex What fate, or choice, waits for the woman no man can tame? But when she leaves him for a charismatic bullfighter, Don Jose’s infatuation turns obsessive. Not a soul can resist Carmen’s seductive charm, not even the naïve Don Jose. We conclude Opera Colorado’s grandest season to date with Bizet’s smoldering drama, Carmen, filled with some of opera’s most iconic melodies-including Carmen’s “Habanera” and the rousing Toreador song. Premiered March 3, 1875, Opéra-Comique (Paris, France) Libretto by Ludovic Halévy and Henri Meilhac Seduction-Obsession-Murder Tickets On Sale Now Carmen
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